All are welcome.
Non-members to pay a small fee at entrance.
If you have any questions concerning any of these events please contact
Click on the artist’s name for more details
| Date | Event details | Speaker |
|---|---|---|
| Coming up in 2026 April 30th Jessica Parker May 7th to May 10th Spring Exhibition May 28th Erin Rosalie Thomas June 30th Maggie Levien July 2nd to July 5th Summer Exhibition September TBC October 29th Harriet Eagle, November 26th to 29th Winter Exhibition. see below for more details | ||
| Thursday April 30th | Jessica Parker Jessica is an established contemporary artist. She uses acrylic, collage and mixed media to produce work which displays abstract realism with a strong emphasis on the environment and man’s relationship with it. Her work often features derelict and abandoned buildings or structures. She uses discarded materials and artwork to emphasise her reuse/recycle/repurpose mindset.  7:30 pm 66, Mill street | |
| Thursday May 28th | Erin Rosalie Thomas is a painter and printmaker whose practice explores emotional nuance, body language, and facial expression as primary forms of communication. Her work focuses on hyper-zoomed perspectives of the human face and body, examining the subtle moments where emotion and expression converge. By isolating the face from its external context, Erin creates surreal, intimate compositions drawn from everyday actions and emotions.  My work is currently stocked at Sarah Wiseman Gallery, Oxford. I am an associate artist at Magdalen Road Studios, a member at Oxford Printmaker’s Co-operative and run young artist group critiques at Get Your Crit Together. 7:30 pm 66, Mill street | |
| Thursday June 30th | Maggie Levien Maggie describes her approach to her work as :- ‘My painting is a response to the beauty I see around me – of particular forms and how they can relate to each other through colour and space. My process begins by finding objects or views that inspire me, be that a stoneware pot in an antiques market, a beautifully shaped lemon or a collection of boats in a harbour. The thoughtful setting up of a still life is an important part of the process as is making the boards on which I paint. I love the effect of painting on cloth, be it panel or canvas and the texture it lends to the painting. Through observational drawing and use of colour, I endeavour to capture the essence of a composition.‘  7:30 pm 66, Mill street |